Sarah Lee works in ceramics, charcoal, acrylics, pencil and textiles.
Sarah Lee’s work is influenced by animals, architecture, history and literature, often blending these to make detailed annotations on life and the world around her. She has a collection of living sketch books which she takes everywhere she goes so that she can make images as she travels. She also makes lively depictions and cartoons of the life and movements of her cat Horatio.
How long have you been making art?
“I’ve always done art as a hobby and I did it in secondary school. I did textiles GCSE in secondary school.”
What are your favourite art materials to work with?
“Textiles, ceramics and drawing”
What, or who, inspires you as an artist?
“Grinling Gibbons the sculptor and woodcarver. I’m interested in the style of Gibbons’ drawings of woods and nature, and wood carvings. I also like the German painter and printmaker Albrecht Durer. I am amused by some of his animal paintings. Some are very realistic and others are like he has heard of them and filled in what they look like with blanks so they look a little weird.”
In 2022 Sarah is taking part in Narratives, the third in our pioneering ‘Conversations Series’, in which learning disabled artists work alongside emerging contemporary artists over several months, producing new work through an equal exchange of art and ideas.
Sarah also took part in the first Conversation Series, OutsiderXchanges in 2016, and her resulting work was exhibited at The Manchester Contemporary and BALTIC Centre for Contemporary Art in Gateshead.
Completely A Hustling Place, Manchester Central Library, 2021.
PERSPECTIVES, Venture Arts and various Manchester venues, 2018.
OutsiderXchanges Exhibition, BALTIC Centre for Contemporary Art, 2016.
OutsiderXchanges, The Manchester Contemporary, Old Granada Studios, 2016.